Very minimalistic. I like how you shifted the harmonies around subtly while maintaining the same basic riff throughout. This piece didn't evoke any thoughts of Egypt for me, but I did get the feeling of ice. This sounds like background music for a stage in a puzzle game.
Nice.
A thought: If you like this track, and you like minimalism, you may like Philip Glass' Aguas de Amazonia. It shares some aesthetic similarities with this music. Here's a Wikipedia article:
http://en.wikipedia.org/wiki/Aguas_da_Amazonia
Fantastic mixing, playing, everything. The piece is dynamic, contrasting, and full of great transitions. This is great material.
I LOVE the progressions you use. The chromatically descending bassline at 1:36 is super catchy. I love the minor dominant 3:39. The chord after that was totally unexpected but worked very well. You really make great use of altered chords.
And the vocal work is awesome. I don't find that much on NG.
I don't have much to say except that I love this piece. I feel so swept away as I listen to it. The jazz influence is what makes it so incredible for me. It's so fresh. So...not cliche. Fantastic craftsmanship here.
Do you know much music theory or are you just doing this by ear?
Thanks for the review! I updated the track, it sounds better and has a few more vocal parts. But it's the same idea.
THANK YOU for recognizing theory! Yeah, my rule is: when in doubt, go chromatic LOL. The minor dominant is my favorite modulation, I'm afraid to waste it because I think I have two or three other songs where I do it. It's such a good feeling in the stomach to hear. I have to cut it out and not spoil the magic.
I know chord theory and enough scales to move around in chords, but I can't sightread super fast. I have to sit down with sheet music for a long time to get it right. I appreciate the detail in your review,, thank you! I need to hear what you have in store. :>
Thanks again!
I love the pulsating electric piano(?) sound. This piece has a very organic quality due to the breath noises and such. I also dig the effect at the end around 1:52.
This piece is very floaty and ethereal, but it feels undeveloped. It seems awfully short for an ambient track. I'd be more inclined to give it a full five stars if it spent more time evolving. It just feels incomplete as is. Pretty cool overall though.
Thanks man, I might make it longer one day.
I do love organ. Where did you get that sound? I love how percussive it is.
Anywho, nice little tune you have here. I like the string line at :26 and the organ riffs throughout. The chord progression is okay but not particularly interesting. If this was longer and had more development to it, I'd be able to critique more.
Catchy.
The organ thingy is a slighty altered Nexus preset :3
Thanks for the review!
The first three chords made me think that your piece would turn into a remix of the Hyrule Temple Theme from Smash Bros. :p
I love this piece. Catchy melody, rhythmically driving, full of good transitions, structurally sensible, dynamic, and harmonically creative. At 1:39, I like that ascending chromatic bass movement from bVII, V6 to i. The chromatically descending bass a little after 2 minutes is also nice. I LOVE the bVIMaj7 chord at 2:46. Nice way to change things up. I also really like how you go from iidim to v at 2:48. I wish more people would use those tense diminished chords. And bonus points for using v from natural minor instead of V with the leading tone. I love the mellow sound of v...
The instrumentation is very effective. Starting at 2:51, I love the decorative piano lines. I also really like the high pitched bell sounding instrument that plays on the down beats starting around 2:21. Oh yeah, and I knew this piece would be awesome when the bass guitar rolled in at the beginning. >:D
However, I didn't care for how muffled the vocals sounded throughout. Everything else was so clear, but the vocals sounded underwater for most of it. Maybe that was an intentional choice, but it just didn't sit well with me. The panning at 3:11 was very interesting. I'm still not sure whether I like it or not. The vocal part at 3:51...I get what you are trying to do, but it seems to me like it was not as effective as it could have been. I believe you come in there singing on the bII scale degree. There is so much tension there that it feels like the climax of the song. That note usually serves as a sort of downward pointing leading tone to tonic and I want to hear it so much! But the line then meanders around feels like it falls flat. I think it'd work better if you held that bII, dropped out, let the guitar do its thing, and then hit tonic hard when you come back in. That part just put a bad taste in my mouth. My little brother who was casually hanging out in my room inattentively gave me a sudden, confused look at that part.
With the exception of that one part, I really, really dig this. I hope that you eventually redo this piece and clean it up a little, because it is awesome and could stand to be even better.
Keep 'em coming!
I'm aware. The vocals are the main thing which gash the piece. I have no choice, unfortunately: crappy PC mic. T_T
Thanks for the review! x
I love you.
Seriously, this is nice. The way that the bass constantly shifts on the last sixteenth note of each measure paints a sonic picture of the hunter's discomfort in the cabin. Speaking of which, lovely story. It definitely helps contextualize and enhance the composition.
The harmonic progression is my favorite aspect of this piece. Your use of borrowed chords to create a chromatic bass-line is lovely. One of my favorite techniques actually. There is one change that I would love to hear though. The chord on bVI at :31, where the bass plays in ocatves? I really wanted to hear that instead as a french augmented sixth chord. So instead of going from bVI to bVI and octave up in the bass, it would go from bVI up to #IV, which would resolve up to the V in the next chord as the bVI resolves down to the V. It would have put more pressure on the dominant, which seems fitting with the string of pre-dominants you use.
The strings added a further layer of depth to this piece. That part at :38 to :41 in the strings was nice. Oh so very creepy. The piano is also very nice. I'm guessing it was sequenced based? Or was it just heavily quantized to keep with that sixteenth note pattern? If it was sequenced, the velocities were varied nicely.
For extra creepyness, a bowed waterphone sample would contribute significantly. A heavily reverbed, distant-sounding oboe line would also be awesome...Basically, an orchestral version of this would rock my face. :p
Excellent work. Your composition is simple and yet holds enough small harmonic and rhythmic complexities to make it accessibly sophisticated. Make more music. Now.
hey man! nice hearing from you. we traded off reviews a while back....by that I mean like 4 years ago. Not sure if you remember. Your knowledge in music theory has grown immensely; I'm quite impressed with your sensibilities as your analysis of the bass rhythm and harmonic progression seems to be (almost) spot on.
the chord at :31 is actually in fact a Fr6+...(the #IV is already in an upper voice). It's functionality may be disguised somewhat because of how the chords are structured though.
yep, it's all sequenced based, like all but 3-4 songs I've posted on here.
I like your instrument suggestions. The waterphone was considered for added ambiance but I wanted the piece to have a more traditional approach and the fact that I've already overused waterphone samples a bit :P An oboe or bassoon would work wonders.
glad you like the story and piece. i've been in a music block more or less for 2 years now...not sure where my creativity and drive has gone. but receiving reviews like yours certainly inspires me to submit more content.
thanks a lot for the detailed review; it was helpful and I enjoyed reading it!
i wasn't quite sure what to think when this started. Definitely not of classical music. But I decided to keep listening.
Man, I floating away. This is beautiful material. The chord progression is so simplistic and the melodic material sounds more improvised than composed, but that contributed so much to the feeling of tranquility! This song feels unhurried, meandering through thoughts of endless self-reflection. The atmosphere that you guys paint is fantastic. Ethereal, introspective, and peaceful. It feels like I'm floating in the clouds, cool and moist breezes caressing my skin under the warmth of the summer sun. It's like the world is fading away and I'm just alive.
I'm a sucker for that delayed acoustic guitar sound. I've always loved this type of music and you guys nailed the titular emotion. Waking up to this music would be so refreshing...
Sorry, but no criticism from me. It's late and I'm floating along on the sound waves. Ahhh....
It's nice that you didn't give criticism, because I don't really want that in this piece.
Wake up to this music then. :D
Awesome that this music woke those emotions there. :D
Really appreciated you writed this beautiful review. :) Thanks for your time.
I normally leave reeally long reviews, but I'm a bit short on time and this piece isn't very long anyway. :p Still, I wanted to tell you that you have done a beautiful job creating this piece!
This type of music is the kind I love. Dark. Flowing. Introspective. One thing I particularly like about this loop is your use of the bass pitch that repeatedly sounds until :25. It creates an underlying feeling of stability beneath a beautifully shifting chord progression in the upper register of the piano. The interplay of multiple melody lines in the first half adds a layer of sophistication that isn't heard in many piano pieces on the audio portal. I like how all of that drops out at :25 and the texture changes to one melody. That is refreshing to hear after the conversational section from the beginning. The only thing that I don't care for is how the piece loops. It feels a little too contrived to me. Unnatural. I think it is because up until that point, the entire piece has been in a steady 4/4. All of the sudden a single bar of 2/4 sounds at the very end, breaking up the continuity. If you moved those last two notes back two beats so that they finish off the previous measure, it might flow better. It's hard to explain in writing though, and that may be nitpicking too much on my part. :p
I like the amount of reverb you use, but I think you could do more with expression. For example, the piece sounds totally quantized and rigid in tempo. No pianist would keep time that stiffly. They would slightly slow down at the end of a phrase and make the music sound more organic. Experimenting with tempo automations can make your piano music sound immensely more realistic and beautiful. It's at least something to consider.
Overall, I really dig this. While it could be tuned up a little, your loop is lush and relaxing. With some rain SFX in the background, I would love to turn off the lights in my room, close my eyes, and let my imagination wander as this music plays. It's clear that you have a gift for painting vivid pictures with your music in a very cinematic manner, and I hope you continue to develop that ability.
I'd love to hear this fleshed out to a full piece. Keep up the great work!
Thank you so much for spending your time reviewing this piece of music! I appreciate all of your kind words! :)
You are right about how it loops. I wanted to take out the last two notes, but I'm afraid my laziness got to me and I didn't do so... haha. I will see to that soon.
As for the tempo, you're right. I'm sure some experimenting would do me well. Again, my laziness comes into play and I've always been a pretty strict person when it comes to tempo. I usually take a step back when it comes to experimentation, which I definitely needs to change.
Thanks again!
Male
United States
Joined on 2/4/06
Isis ![Chemicals [NGADM]](https://aicon.ngfiles.com/498/498899_small.png?f1364656196){kind=small}
Chemicals [NGADM] 
Floating Through Reality 
This is where it ends 
Propter Te 
The Portraits 
